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| A no-no |
Father Z on guitars in church and a famous bloggers comment...(smile)
The Pope Emeritus had something to say about this a few years ago.
Today we hear conga drums, trap sets, bongos, and other drums played not in the style of Monteverdi processions, or Masses by Haydn or Mozart. Instead we hear them just as we would hear them in a bar or dance hall.
They are used just as they are in the secular world: to keep a beat, to make the music groovy, to inspired us to kind of do a bit of a dance. That’s the association of percussion we have in our culture. It is not a sacred association. The association is entirely profane. There’s a role for that. But Church is not the place and Mass is not the time.
And keep in mind: the piano is a percussion instrument. It has been traditionally banned in Church because it has non-liturgical associations. In today’s anything-goes environment, it is tolerated even by the liturgical regulations. But it is always a regrettable choice. The whole point of liturgical music is to lift our eyes and hearts to heaven, not drag us down to the dance floor.
One final point on this matter: you will notice that many of the songs in the conventional songbooks for Mass today seem to long for a drum-set backup. That’s because their style is borrowed from commercial jingles, TV show theme songs, power ballads from the 1970s, and so on. I don’t entirely blame choirs who choose drums to help out to make this style make more sense. What really needs to change is the whole approach here. Liturgical music has several critical marks: it uses the liturgical text, it grows out of the chant tradition, and sends a cultural signal that this is a sacred action in a sacred place.
Father Z on guitars in church and a famous bloggers comment...(smile)