PREFACE TO THE 1857 EDITION
Ihave been occupied with this story, during many working hours of two years. I must have been very ill employed, if I could not leave its merits and demerits as a whole, to express themselves on its being read as a whole. But, as it is not unreasonable to suppose that I may have held its threads with a more continuous attention than anyone else can have given them during its desultory publication, it is not unreasonable to ask that the weaving may be looked at in its completed state, and with the pattern finished.
If I might offer any apology for so exaggerated a fiction as the Barnacles and the Circumlocution Office, I would seek it in the common experience of an Englishman, without presuming to mention the unimportant fact of my having done that violence to good manners, in the days of a Russian war, and of a Court of Inquiry at Chelsea. If I might make so bold as to defend that extravagant conception, Mr Merdle, I would hint that it originated after the Railroad-share epoch, in the times of a certain Irish bank, and of one or two other equally laudable enterprises. If I were to plead anything in mitigation of the preposterous fancy that a bad design will sometimes claim to be a good and an expressly religious design, it would be the curious coincidence that it has been brought to its climax in these pages, in the days of the public examination of late Directors of a Royal British Bank. But, I submit myself to suffer judgment to go by default on all these counts, if need be, and to accept the assurance (on good authority) that nothing like them was ever known in this land.
Some of my readers may have an interest in being informed whether or no any portions of the Marshalsea Prison are yet standing. I did not know, myself, until the sixth of this present month, when I went to look. I found the outer front courtyard, often mentioned here, metamorphosed into a butter shop; and I then almost gave up every brick of the jail for lost. Wandering, however, down a certain adjacent 'Angel Court, leading to Bermondsey', I came to 'Marshalsea Place:' the houses in which I recognised, not only as the great block of the former prison, but as preserving the rooms that arose in my mind's-eye when I became Little Dorrit's biographer. The smallest boy I ever conversed with, carrying the largest baby I ever saw, offered a supernaturally intelligent explanation of the locality in its old uses, and was very nearly correct. How this young Newton (for such I judge him to be) came by his information, I don't know; he was a quarter of a century too young to know anything about it of himself. I pointed to the window of the room where Little Dorrit was born, and where her father lived so long, and asked him what was the name of the lodger who tenanted that apartment at present? He said, 'Tom Pythick.' I asked him who was Tom Pythick? and he said, 'Joe Pythick's uncle.'
A little further on, I found the older and smaller wall, which used to enclose the pent-up inner prison where nobody was put, except for ceremony. But, whosoever goes into Marshalsea Place, turning out of Angel Court, leading to Bermondsey, will find his feet on the very paving-stones of the extinct Marshalsea jail; will see its narrow yard to the right and to the left, very little altered if at all, except that the walls were lowered when the place got free; will look upon rooms in which the debtors lived; and will stand among the crowding ghosts of many miserable years.
In the Preface to Bleak House I remarked that I had never had so many readers. In the Preface to its next successor, Little Dorrit, I have still to repeat the same words. Deeply sensible of the affection and confidence that have grown up between us, I add to this Preface, as I added to that, May we meet again!
London May 1857
I shall be in Marseilles next year for the first time in my life, meeting friends in France. Of course, that is where the great novel begins.
Thirty years ago, Marseilles lay burning in the sun, one day.
A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. Everything in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. These did occasionally wink a little, as the hot air barely moved their faint leaves.
There was no wind to make a ripple on the foul water within the harbour, or on the beautiful sea without. The line of demarcation between the two colours, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding-place from a sea too intensely blue to be looked at, and a sky of purple, set with one great flaming jewel of fire.
The universal stare made the eyes ache. Towards the distant line of Italian coast, indeed, it was a little relieved by light clouds of mist, slowly rising from the evaporation of the sea, but it softened nowhere else. Far away the staring roads, deep in dust, stared from the hill-side, stared from the hollow, stared from the interminable plain. Far away the dusty vines overhanging wayside cottages, and the monotonous wayside avenues of parched trees without shade, drooped beneath the stare of earth and sky. So did the horses with drowsy bells, in long files of carts, creeping slowly towards the interior; so did their recumbent drivers, when they were awake, which rarely happened; so did the exhausted labourers in the fields. Everything that lived or grew, was oppressed by the glare; except the lizard, passing swiftly over rough stone walls, and the cicala, chirping his dry hot chirp, like a rattle. The very dust was scorched brown, and something quivered in the atmosphere as if the air itself were panting.
Blinds, shutters, curtains, awnings, were all closed and drawn to keep out the stare. Grant it but a chink or keyhole, and it shot in like a white-hot arrow. The churches were the freest from it. To come out of the twilight of pillars and arches—dreamily dotted with winking lamps, dreamily peopled with ugly old shadows piously dozing, spitting, and begging—was to plunge into a fiery river, and swim for life to the nearest strip of shade. So, with people lounging and lying wherever shade was, with but little hum of tongues or barking of dogs, with occasional jangling of discordant church bells and rattling of vicious drums, Marseilles, a fact to be strongly smelt and tasted, lay broiling in the sun one day.
Enjoy some of my references to Little Dorrit, as I do love her as a character so much....and I love London so much and know all these places mentioned in the book.
09 Jul 2013
Too often in today's world, people want poetic justice, as in Joe getting a sweet wife, Biddy, or Little Dorrit and Arthur Clennam marrying. But, Tom Pinch tells his sister that a higher justice, that is, Divine Providence, rules the ...
27 Jan 2012
Some people's minds, and maybe their hearts, are like the Circumlocution Office in Little Dorrit, my favorite book-read it at least four times and maybe five. Their minds are full of anxiety, useless information, fluff. They only want ...
27 Jul 2013
Everything I learned initially about ponzi schemes, I learned from reading Martin Chuzzlewit, Dicken's novel written in 1841, and Little Dorrit, my most favourite novel of all, written in 1857. If you do not want to read the books, ...
13 Jun 2012
This transportation of the imagination lies in a masterpiece, such as Dante's Divine Comedy, Dickens' Little Dorrit, or E. M. Foster's Howard's End. Few book or poems can carry us into the mind of the maker, who creates for us ...
18 Dec 2013
So, do I act like Little Dorrit, Ann Elliot, Elinor Dashwood, or Fanny Price? Perhaps we gravitate towards favoring characters who are like us? This study and common sense tell us why it is important for your children to read the ...
15 Sep 2014
One of my favorite novels, perhaps my third favorite after Little Dorrit and Mansfield Part, is Bleak House. Whenever I re-read it, and I have a habit of re-reading my favorites again and again and again, I am intrigued by the ...
29 Sep 2014
Little Dorrit Rudy The Mission Gandhi Lord of the Rings Trilogy Star-Trek Four Funny Face A Man for All Seasons Becket King Lear with Paul Scofield, Irene Worth, Cyril Cusack because Scofield is brilliant. Random Harvest.
25 Apr 2013
This is the new "Iron Bridge", not the one in Little Dorrit, my favourite book. A complete replica of the old one was made for the 2008 television series. Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest ...
07 Nov 2013
said Mrs Merdle, looking at Little Dorrit through an eye-glass. Fanny answered No. 'No,' said Mrs Merdle, dropping her glass. 'Has not a professional air. Very pleasant; but not professional.' 'My sister, ma'am,' said Fanny, ...